....“Murder?” she thought, “Can murder ever be justified….Thou shalt not kill….” And yet, when the whole of Europe was engaged in such bloody slaughter, the removal of one dangerous man, one source of evil, seemed so small a thing. Had all this bloodshed and horror hardened her heart, she wondered. Five, ten years ago it would have been unthinkable to even entertain such a notion but now…desperate times, desperate remedies. She flicked through the pages of her Bible to the Gospel of St. John: “It is better that one man should die for the people, rather than that the whole nation should perish…”
“Matushka,” Mitrophan gently tapped her shoulder, “forgive me, but you look so troubled.”
“I am troubled, Father, deeply troubled.”
He knelt down beside her, “Is there anything I can do?”
“It is better that one man should die for the people, rather than that the whole nation should perish…” she read aloud. “That’s what they said of Christ. Those who killed him believed they were acting for the common good. Do you think that the death of one man could prevent the destruction of a nation?”
“Every nation chooses its own scapegoats. It is easier to lay the responsibility for all our ills at the feet of someone else than to accept that we have brought calamity onto ourselves.”
“But if one man were truly destroying the country and…”
“Could one man do that without the tacit consent of all his fellow countrymen? Evil is like a plant - it can’t flourish unless it is fed and watered.” He gazed towards the infant in the crib, “By our carelessness and selfishness, we all contribute to its growth and then when we see what a monster we have created, we attempt to destroy it as though it is external to ourselves.”
“Something terrible is about to happen,” she whispered. “I have neither condemned nor condoned it but in my heart I think it’s the only way.”
“With or without your agreement, this terrible thing will happen anyway?”
She nodded.
“Then it’s out of your hands and all you can do is place it in the hands of God. Pray that if it is his will, this thing might be averted but, if there is no other way, pray for everyone involved.”
She stared at the serene expressions of the statues in the crib. How she longed for peace, for an end to all this horror, and a return to the beauty that was once her sole preoccupation.
“There was time once,” she murmured, “to contemplate everything; to reflect, to feel..."
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All written content is protected by copyright but if you wish to contact me regarding the content of this blog, please feel free to do so via the contact form.
Please pay a visit, too, to HILLIARD & CROFT
And:
Christina Croft at Amazon
Showing posts with label Alexandra. Show all posts
Showing posts with label Alexandra. Show all posts
Sunday, 14 September 2008
Wednesday, 10 September 2008
New Novel Based On The Life of Grand Duchess Elizabeth of Russia
Based on the true story of Queen Victoria's granddaughter, Grand Duchess Elizaveta Feodorovna, "Most Beautiful Princess" follows 'Ella' from her arrival in Russia to marry Grand Duke Serge Alexandrovich, brother of Tsar Alexander III, through to her horrific murder at the hands of the Bolsheviks.
Adored and yet vilified as a German spy; childless, yet loved by children; gentle, yet capable of virtually single-handedly engineering the marriage of her ill-fated sister, Alexandra to Nicholas II, last Tsar of all the Russias; devoted to her difficult husband, yet so often the object of slander and gossip, at first glance her intriguing life seems one of extremes. Yet there is one unchanging thread running through this story - from all the glamour of Royal Courts in the halcyon days of the 19th century monarchies, to the abject poverty of Moscow's slums; she maintained an unchanging determination to bring beauty into the world. Far from being simply a story of an another era, the life of Ella, Grand Duchess Elisabeth Feodorovna speaks directly of so many issues facing the world today. In a life which encountered terrorism, the need for religious tolerance, the bridging of the gap between the rich and the poor, and the joining of the material with the spiritual, Ella's is not only a fascinating historical life but perhaps, more importantly, a template for the future of all our lives.
Although this is a novel, all the characters in the book actually existed and, having already researched and written the biography of Ella, I have ensured that it is grounded in historical accuracy.
Some historical biographers take exception to the fictionalisation of real people - and I completely understand and appreciate that opinion. Over the next few days, however, I shall explain why I chose this genre to present my understanding of the beautiful life of Grand Duchess Elizabeth.
Adored and yet vilified as a German spy; childless, yet loved by children; gentle, yet capable of virtually single-handedly engineering the marriage of her ill-fated sister, Alexandra to Nicholas II, last Tsar of all the Russias; devoted to her difficult husband, yet so often the object of slander and gossip, at first glance her intriguing life seems one of extremes. Yet there is one unchanging thread running through this story - from all the glamour of Royal Courts in the halcyon days of the 19th century monarchies, to the abject poverty of Moscow's slums; she maintained an unchanging determination to bring beauty into the world. Far from being simply a story of an another era, the life of Ella, Grand Duchess Elisabeth Feodorovna speaks directly of so many issues facing the world today. In a life which encountered terrorism, the need for religious tolerance, the bridging of the gap between the rich and the poor, and the joining of the material with the spiritual, Ella's is not only a fascinating historical life but perhaps, more importantly, a template for the future of all our lives.
Although this is a novel, all the characters in the book actually existed and, having already researched and written the biography of Ella, I have ensured that it is grounded in historical accuracy.
Some historical biographers take exception to the fictionalisation of real people - and I completely understand and appreciate that opinion. Over the next few days, however, I shall explain why I chose this genre to present my understanding of the beautiful life of Grand Duchess Elizabeth.
Thursday, 13 December 2007
The Pen Is Mightier Than The Sword
"The pen is mightier than the sword" in that ideas always outlive violence or force, but it's a pity sometimes that the pens of the victors are those who write history. Tsar Nicholas II and his wife, Alexandra, are perhaps two of the most maligned people thanks to the pens of those who wanted to justify their murder. Nicholas and Alexandra have been presented and misrepresented for so many decades that even now he is so often seen simply as 'weak' and she as 'obsessive'. Nicholas' strength of character, his absolute loyalty to his allies (who showed far less loyalty to him) and his country (which led to his abdication) and the extreme pressure under which both he and Alexandra lived is often overlooked.
The same is true of the hugely maligned Richard III, whose character was blackened beyond recognition first by the usurper, Henry Tudor, and then by Shakespeare's portrayal of him.
Historical fiction is often closer to the truth than what is deemed to be historical fact. If the historical fiction writer is able to capture the essence of a person, there is far more room for an accurate portrayal rather than what the propaganda of the victors would have us believe.
The same is true of the hugely maligned Richard III, whose character was blackened beyond recognition first by the usurper, Henry Tudor, and then by Shakespeare's portrayal of him.
Historical fiction is often closer to the truth than what is deemed to be historical fact. If the historical fiction writer is able to capture the essence of a person, there is far more room for an accurate portrayal rather than what the propaganda of the victors would have us believe.
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